Video editing

FL Studio Music Production

Category: Video editing
Platform: Windows
Length: 52 min
Resolution: 1366 × 768
Software: FL Studio

Samples play on a computer

52min

2Kclicks

4Kkeys

FL Studio · Windows

00:00 / 51:35

Events6,483

00:00.000AppFL Studio

00:00.000Move704, 458 → 463, 129

00:00.847Move463, 132 → 466, 153

00:01.135Move469, 153 → 483, 153

00:01.633Click483, 153

00:01.807Move487, 157 → 553, 255

00:02.135Move553, 258 → 543, 339

00:02.864Click543, 339

00:03.336Move546, 339 → 886, 294

00:05.255Click886, 294

00:05.455Move883, 294 → 879, 287

00:06.392Click879, 287

00:06.560Move876, 287 → 144, 203

00:07.367Click144, 203

00:07.639Move141, 206 → 39, 402

00:07.944ScrollUp

00:08.255Move39, 409 → 49, 465

00:08.624Move53, 465 → 123, 538

00:09.066ScrollDown

00:09.327Move123, 535 → 123, 395

00:09.799Move123, 392 → 130, 367

00:10.175Click130, 367

00:10.711ScrollUp

00:11.135ScrollUp

00:11.832ScrollUp

00:12.168Move130, 364 → 123, 252

00:12.623ScrollUp

00:12.879Move120, 255 → 92, 440

00:13.799Move92, 437 → 92, 318

00:14.512Move92, 321 → 102, 469

00:15.439Click102, 469

00:15.624Move102, 465 → 105, 434

00:16.344Move105, 437 → 105, 454

00:16.567ScrollDown

00:16.895Move105, 451 → 109, 357

00:17.543Click109, 357

00:18.008Click109, 353

00:18.431Move109, 350 → 116, 336

00:18.816Move116, 332 → 147, 164

00:19.592Click147, 164

Loading events

Narration298

00:00
Clicked around the Playlist and Browser while the project played, then opened the selected audio clip’s settings window to view its file, time-stretching, and effects controls.
Inspect the audio clip and browse available sounds while playback continues.
00:09
Browsed and scrolled through the Browser’s folder list, clicking different folders while leaving the Playlist and audio clip arrangement unchanged.
Locate or review available sample and preset folders.
00:20
Scrolled through the Browser and selected several folder entries, moving among sample-pack and project folders while playback continued.
Continue browsing available audio resources.
00:30
Scrolled the Browser and clicked folder entries, then opened the presets-and-drums folder to reveal its subfolders.
Browse installed sound libraries and presets.
00:40
Expanded and navigated through nested sample-pack folders, then resized and repositioned the FL Studio window while continuing to browse the Browser.
Explore the contents of a sound library and adjust the workspace view.
00:50
Opened and clicked through the BASS category’s sample list, briefly scrolled, and then returned to the parent sample-pack folders.
Review bass sample options within the selected sound library.
01:00
Clicked through several entries in FL Studio’s Classic Synth browser while the arrangement continued playing, changing the highlighted sample and its preview waveform.
Browse and audition Classic Synth samples.
01:10
Opened the Channel rack over the arrangement, then continued clicking through sample entries in the Classic Synth browser while playback ran.
Browse samples while checking the project’s channel sequence.
01:20
Selected more Classic Synth samples, then opened the Piano roll for the Moog lead sample.
Inspect or edit the Moog lead’s pattern.
01:29
Worked in the Moog lead channel’s settings, switching among its controls and adjusting the volume envelope with several drags.
Adjust the Moog lead sound’s channel and envelope settings.
01:40
Returned to the Piano roll, drew and adjusted a sustained note, then repositioned the view to show it spanning the first measure.
Create and refine a note in the Moog lead pattern.
01:50
Dragged the sustained note vertically through several pitches in the Piano roll, ending with it positioned at G#4.
Set the sustained note’s pitch in the Moog lead pattern.
02:00
Dragged the note in the piano roll vertically, changing its pitch from G#3 to B2 while retaining its displayed length. Continued dragging and clicking around the note as playback ran.
Adjust the pitch of a note in the pattern.
02:10
Continued dragging and clicking in the piano roll, then switched to the Playlist and channel/sample controls. The sample settings window and Channel rack became visible.
Edit the pattern and inspect the associated sample/channel settings.
02:19
Worked in the sample channel’s instrument controls, with repeated keyboard-space inputs and mouse drags, then clicked within the envelope graph area. The channel settings window remained open on its Volume tab.
Adjust the sample channel’s instrument or envelope settings.
02:29
Clicked and dragged among the instrument tabs and envelope controls, then adjusted controls in the Pitch section, including the decay control. Left the channel settings window open on Pitch.
Modify the sample channel’s pitch-envelope parameters.
02:39
Dragged across the pitch-envelope controls and made further clicks in the channel settings, then right-clicked the channel in the Channel rack to open its context menu.
Continue adjusting the channel’s pitch settings and access channel options.
02:49
Dismissed the channel context menu, returned to the piano roll, and dragged the view or note controls to adjust the displayed note. The piano roll shows a long F#4 note across several bars as playback continues.
Return to the pattern and adjust or inspect the note at a higher pitch.
02:58
Dragged repeatedly in the piano roll around the long F#4 note, then clicked near the note and continued dragging; the visible note remained in place.
Adjust or inspect the note in the piano roll.
03:07
Dragged repeatedly across the piano-roll grid and clicked the long note, changing its displayed pitch from F#4 to A4 while retaining its position and length.
Adjust the pitch of the sustained note.
03:16
Clicked and dragged around the A4 note and the ruler area, then clicked again near the note; the note remained at A4 as the playhead moved.
Review and adjust the sustained note in the piano roll.
03:26
Dragged and clicked around the note, changing its displayed pitch from A4 to G#4 while keeping it long; the playhead continued moving across the piano roll.
Adjust the pitch of the sustained note.
03:35
Clicked and dragged around the note and the piano-roll ruler, then clicked within the grid and entered repeated spaces; the view shifted to show a later portion of the note and then playback resumed.
Navigate and work with the sustained note in the piano roll.
03:45
Entered repeated spaces while interacting with the piano-roll ruler and grid, scrolled the view vertically in both directions, and clicked and dragged near the note's right edge; the displayed note remained A4.
Navigate the piano roll and inspect or adjust the note length.
03:54
Dragged within the piano roll around the existing A4 note, clicked in the grid and made brief spacebar inputs, then continued dragging around the note and timeline controls.
Adjust or navigate the piano-roll view around the existing note.
04:05
Dragged along the A4 note and its right edge while playback ran, then returned the view to the beginning of the note.
Adjust the A4 note length and inspect it during playback.
04:15
Made repeated spacebar inputs and dragged in the piano roll as playback continued, then clicked near the upper-right area of the grid.
Continue navigating or editing the piano-roll passage during playback.
04:25
Clicked along the piano-roll ruler and dragged across the grid near the note, leaving the A4 note selected while playback continued.
Select or adjust the note and its position in the piano roll.
04:35
Clicked and dragged in the piano-roll grid, then continued navigating the view as playback ran; the later view showed two A4 notes separated along the timeline.
Extend the piano-roll phrase with another A4 note.
04:45
Scrolled and dragged within the piano roll, then clicked in the grid and made repeated spacebar inputs. The view switched to the Playlist and Channel rack, where playback continued.
Navigate the piano roll and then return to the arrangement and channel view.
05:00
Switched to FL Studio and let the pattern play while browsing the sample list, then right-clicked the channel labeled “CLASSICS - huge pad C” to open its context menu.
Inspect the channel options for the selected sample.
05:11
Opened the channel’s Piano roll and adjusted the G#3 note by dragging its edge, extending it to about bar 4; left the existing G#2 note in place.
Edit the length of the selected channel’s MIDI note.
05:22
Continued adjusting the Piano roll view and dragged the G#3 note’s right edge farther out, lengthening it across several bars.
Extend the MIDI note in the pattern.
05:31
Adjusted the Piano roll view and manipulated the long G#3 note, then moved to a later section where an A4 note was visible before switching to the Piano roll quantizer window.
Adjust and review MIDI note placement and timing.
05:48
Returned to the main FL Studio Piano roll, dragged the long G#3 note’s right edge to resize it, and repositioned the view along the note.
Refine the duration of the G#3 MIDI note.
05:58
Scrolled and adjusted the Piano roll view, then dragged the lower G#3 note’s right edge to extend it; the later view also showed an A4 note above it.
Continue editing and reviewing the pattern’s note lengths.
06:07
Dragged within the piano roll and clicked around the sustained notes, making small adjustments while the long G#3 and A4 notes remained visible; then moved the window slightly.
Adjust notes in the piano-roll pattern.
06:18
Clicked and dragged around the piano-roll grid and note, shifting the displayed sustained upper note from D5 while the long G#3 note remained in place; continued playback during the edits.
Edit the pitch or placement of the sustained note in the pattern.
06:29
Clicked and dragged on the upper note and the piano-roll timeline, changing the displayed upper note to C#5 and adjusting the horizontal view; the sustained lower G#3 note remained visible.
Continue editing the sustained piano-roll notes and their view.
06:38
Clicked and dragged within the piano roll and scrolled vertically, moving the view to a higher pitch range; the sustained upper note appeared as F#5 while the lower note moved out of view.
Adjust the sustained note and inspect it at a higher pitch range.
06:46
Clicked and dragged the sustained note in the piano roll, changing its displayed pitch to A5.
Adjust the pitch of the sustained note.
06:56
Clicked and scrolled in the piano roll, then dragged the sustained note; its displayed pitch changed from A5 to F#5.
Continue adjusting the sustained note's pitch in the pattern.
07:06
Dragged across the piano-roll timeline and note area, then repositioned the view; the sustained F#5 note remained visible as the horizontal view shifted.
Adjust the piano-roll view while working on the note sequence.
07:15
Clicked and dragged in the piano roll to move the view and work around the note positions; the display shifted to show a long F#5 note and then a G#5 note near the beginning of the pattern.
Navigate the piano roll and position notes in the pattern.
07:25
Used repeated spacebar presses and pointer movements while the piano roll remained open, then scrolled and right-clicked around the sustained G#5 note.
Continue editing or navigating the note pattern.
07:36
Right-clicked and clicked around the piano roll, then switched to the Playlist and Channel rack view; scrolled and clicked repeatedly while playback continued.
Navigate between the piano roll and the arrangement/channel controls.
07:46
Returned to the piano roll and clicked and dragged in the note grid, adding or adjusting short E3 notes beneath the sustained G#3 notes; continued repositioning the view as playback ran.
Edit the lower notes in the pattern.
07:56
Scrolled and clicked in the piano roll, changing the visible pitch range, then placed or adjusted short D5 notes while the sustained G#3 note remained in the pattern.
Add or refine notes at different pitches in the pattern.
08:06
Adjusted the piano-roll view and edited the note placement and length, leaving a G#5 note visible in Pattern 6.
Edit the MIDI note in the pattern.
08:15
Continued adjusting the piano-roll view and note positions, adding a long F#5 note later in the pattern while retaining the earlier G#5 note.
Build out the MIDI pattern with another sustained note.

08:24
Opened the mixer effect-slot plugin menu, selected Fruity Parametric EQ 2, and brought up its equalizer window on the selected mixer insert.
Add an equalizer effect to the mixer insert.
08:34
Worked in the mixer effect slots and opened Fruity Delay 3, then adjusted several of its visible controls.
Add and configure delay processing on the mixer insert.
08:44
Adjusted multiple Fruity Delay 3 controls, including the time, feedback, and output-area knobs, while the mixer meters continued moving.
Refine the delay effect settings.
08:55
Returned to the Playlist and Channel rack, clicked among the visible audio items and channel controls, and continued playback while entering a sequence of spaces.
Review the arrangement and interact with the channel rack.
09:06
Let the song play in FL Studio with the Channel rack open, without interacting.
Review the current musical pattern during playback.
09:26
Clicked through entries in the Browser's Classic Synth list and dragged within the list, changing the highlighted sample selection; then clicked in the Channel rack area.
Browse and select a sound sample while working on the pattern.
09:36
Moved the window and returned to the Playlist arrangement, where the audio waveform and Pattern 6 clip were visible as playback continued; clicked near the upper-right portion of the arrangement.
View and navigate the arrangement during playback.
09:50
Right-clicked in the Playlist, resized the FL Studio window, and selected Pattern 7. Dragged in the Browser and clicked in the Playlist, leaving a red Pattern 7 clip visible on a lower track.
Create or place a pattern clip in the arrangement while browsing sounds.
10:01
Expanded and navigated folders in the Browser, clicking through preset and sample-pack entries while the Playlist remained open. The playback position returned near the start of the arrangement.
Browse available sound libraries for a sample or preset.
10:12
Continued clicking through entries in the Browser's 1K#SNARES folder to preview different snare samples; the waveform preview changed between selections while playback continued.
Audition snare samples from the selected sample folder.
10:22
Clicked repeatedly in the Browser’s sample and folder list and scrolled through the available drum-kit folders while the Playlist continued playing.
Browse available sample and preset folders.
10:30
Scrolled through the Browser’s folder list, then clicked a folder entry near the end of the span.
Continue browsing the available sound and preset folders.
10:44
Clicked through several entries in the Browser and scrolled the folder list, ending with another folder selection.
Browse preset and sound-library folders.
10:54
Expanded and selected Browser folders, then clicked through the visible snare sample entries. Opened the Channel rack, which appeared over the Playlist.
Browse snare sounds and inspect the project’s channels.
11:04
Right-clicked in the Playlist, then dragged clips to rearrange them; the Pattern 7 clip ended up on Track 2 after Pattern 6.
Rearrange the Playlist patterns.
11:14
Dragged within the Playlist timeline and adjusted the view, shifting the visible bar range while keeping the audio clip and patterns in view.
Adjust the Playlist view and review the arrangement.
11:20
Clicked twice near the Playlist toolbar while the arrangement continued playing.
Interact with the FL Studio Playlist during playback.
11:31
Dragged around the Playlist and clicked the audio clip to open its context menu; left the clip menu open.
Inspect or access options for the audio clip in the arrangement.
11:42
Resized and repositioned FL Studio windows, opened the audio clip settings, and switched to the Mixer.
Adjust the audio clip and inspect mixer controls.
11:50
Worked in the Mixer and opened an effect/plugin selection menu for Insert 3.
Choose or manage a mixer effect on Insert 3.
12:01
Selected HalfTime from the plugin list for Mixer Insert 3; the Mixer displayed the HalfTime effect label while saving tracks.
Add the HalfTime effect to Insert 3.
12:07
Opened the Channel rack, then returned to the Playlist and audio clip settings while playback continued; right-clicked in the Mixer effects area.
Review the project channels and access mixer effect options.
12:17
Right-clicked in the Playlist and used brief scroll and keyboard inputs while playback ran, then stopped playback; the arrangement remained visible with audio clips on Track 1 and patterns on Track 2.
Review and adjust the arrangement during playback.
12:28
Right-clicked in the Playlist, clicked near the top audio clip and pattern area, and continued playback; the arrangement remained in place.
Inspect the Playlist arrangement during playback.
12:38
Selected and dragged audio clips in the Playlist, moving clips among the upper tracks; by the end, audio clips were visible on Tracks 1 and 3.
Rearrange audio clips in the Playlist.
12:48
Clicked and dragged around the clips and track controls, toggling visible track states; the audio clips remained arranged on Tracks 1 and 3.
Adjust Playlist track and clip placement.
12:58
Dragged clips within the Playlist, moving audio material onto additional tracks; the resulting arrangement showed clips across Tracks 1, 3, and 4, with repeated short clips on Track 4.
Build out the audio arrangement across Playlist tracks.
13:08
Continued dragging audio clips across the Playlist, extending the arrangement on Tracks 1 and 3 while retaining the repeated clips on Track 4; selected and repositioned a clip near the later bars on Track 1.
Extend and refine the Playlist arrangement.
13:19
Dragged across the Playlist clips and timeline, shifting the visible range and selecting portions of the arrangement while playback continued.
Adjust the Playlist view and selection around the audio arrangement.
13:29
Dragged across the upper Playlist track and timeline to select and adjust the arrangement range, then clicked near the end of the upper clip.
Select and adjust a section of the arrangement before rendering.
13:47
Viewed the render settings for the consolidated Insert 1 audio, then clicked Abort while the render was in progress; the render dialog remained open as the application briefly switched away and back.
Render the selected audio section to a WAV file.
14:04
Returned to the Playlist for the consolidated audio, dragged across clips on the tracks, and used keyboard shortcuts while working with the arrangement.
Adjust or select clips in the consolidated arrangement.
14:14
Opened the clip context menu, selected Channel settings to open the audio clip properties, and adjusted the clip or its settings with further clicks and drags.
Inspect and adjust settings for the consolidated audio clip.
14:24
Entered repeated space keystrokes while the Audio Clip settings were open, clicked within its controls, and then closed the settings window to return to the Playlist.
Adjust the audio clip's playback or time-stretch settings.
14:34
Opened and dismissed the mixer effect plug-in menu several times, then returned to the Fruity Parametric EQ 2 window on Insert 1 while playback continued.
Browse mixer effect options and return to the active equalizer.
14:44
Adjusted controls in the Fruity Parametric EQ 2 and Fruity Reeverb 2 plug-in windows, then returned to the Playlist arrangement showing the audio clip and Patterns 6 and 7.
Refine mixer effects and check the arrangement during playback.
15:02
Paused briefly on the Playlist arrangement, then switched to the Mixer view with Insert 1 selected.
Move from the arrangement to the mixer.
15:11
Opened the mixer plug-in menu, selected DarkVoid for Insert 3, and brought up its effect window.
Add or inspect an effect on Insert 3.
15:21
Worked in the DarkVoid plug-in window, clicking and dragging its controls, then continued interacting with the mixer and plug-in menu.
Adjust the DarkVoid effect on Insert 3.
15:37
Confirmed deletion of the selected plug-in, then opened the mixer plug-in menu again and browsed the available effects.
Remove the selected effect and browse replacement plug-ins.
15:47
Clicked and adjusted controls on the DarkVoid effect window, toggling its lower Bypass and Impulse controls; the Impulse indicator ended on.
Adjust the DarkVoid effect controls while monitoring the mixer.
15:57
Adjusted several DarkVoid knobs and toggled its lower controls, ending with the Impulse indicator off.
Refine the DarkVoid effect settings.
16:07
Continued adjusting the DarkVoid knobs and lower controls, then used the transport controls to stop playback and return the song position to the beginning.
Continue tuning the effect and check the project from the start.
16:17
Worked in the mixer, selected the Master channel, and opened the plugin selection menu.
Choose an effect for the Master channel.
16:23
Selected Effector from the plugin menu and waited while it initialized, then opened the new effect on the Master channel.
Add and configure an effect on the Master channel.
16:34
Opened the Effector window and repeatedly adjusted its X/Y parameter pad while playback ran, moving the highlighted effect position across the grid.
Shape the Effector modulation by changing its X/Y parameters.
16:44
Dragged repeatedly across the Effector’s XY grid, moving its position and changing the selected effect from Filter to Phaser while playback continued.
Adjust the master Effector settings.
16:53
Clicked and dragged within the Effector XY grid, then selected Distort and continued repositioning the grid control.
Configure the master Effector’s distortion and XY parameters.
17:04
Continued adjusting the Effector XY control, closed its window, then opened the options menu for the DarkVoid effect on Mixer Insert 1 and chose Delete.
Remove the DarkVoid effect from Insert 1 after adjusting the master effect.
17:15
Confirmed the plugin deletion, returned to the mixer, and resumed dragging and clicking in the open Effector XY grid.
Delete DarkVoid from Insert 1 and continue adjusting the Effector.

Develop the FL Studio music project by composing patterns, arranging audio, and adjusting effects and automation.

Develop and arrange an FL Studio music project by browsing and auditioning samples, editing MIDI patterns, arranging audio clips, and configuring mixer effects and automation. Finish by editing the 808 [Holy Water] pattern and briefly switching between FL Studio and other windows.

clip.mp4The screen recording97 MB events.jsonEvery input logged, synced to the video clock33 MB frame_events.jsonEvery input logged, synced per frame51 MB narration.jsonDescriptions of what happened, and why108 KB metadata.jsonThe session's facts3 KB

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